Mountain Stone is the exhibition theme of an artist. The design is visual with the artist's “stone”. Taihu stone in the water half bright and half Mongolia, be neither friendly nor aloof, not only reflects the relationship between the artist and Taihu stone, artist and nature, artist and people, as well as his heart of the artistic conception of rocks, express people, people and nature, nature and people's multiple relations.
"The Japanese Forest" is taken from a Japanese religious perspective. One of the Japanese ancient religions is Animism. Animism is a belief that non-human creatures, still life (minerals, artifacts, etc.) and invisible things also have an intention. Photography is similar to this. Masaru Eguchi is shooting something that makes feeling in the subject. Trees, grass and minerals feel the will of life. And even artifacts such as dams that left in nature for a long time feel the will. Just as you see the untouched nature, the future will see the present scenery.
Monk seeks a balance between the openness and legibility of humanist sans serifs and a more regularized character of the square sans serif. Although originally designed as a Latin typeface it was decided early on that it needed a wider dialogue to include an Arabic version. Both Latin and Arabic design us the same rationale and the idea of shared geometry. The strength of the parallel design process allows the two languages to have balanced harmony and grace. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms.
The idea of the designer behind the opera posters was to create an iconic portrait of a singing/shouting woman, the main figure in opera plot, as a symbol of uncontrolled passion. The goal was to show the tragic and dependent role of a woman in libretto of such operas as Madame Butterfly, Tosca or Norma in the form of iconic and expressive interpretation. On all posters the composition represents the final scene - culmination moment of the opera story. Designer was inspired by the suprimatic posters of Kazimir Malevich and by the painting of Edvard Munch "The Scream".
The Wise Tribe is an education organization that focuses on children between 0 and 12 years old. The brand's Chinese name "weisi" is a homonym for "wise" in English, which also means "thinking". They hope the brand can be more close to children, like the original tribe, accompany the growth of children. They believe that children grow up with infinite possibilities. Therefore, the brand should be like children, with infinite imagination space.
The extended design is based on the concept of the queen and chessboard. With the two colors black and gold, the design is to convey the sense of high-class and reshape the visual image. In addition to the metal and gold lines used in the product itself, the element of the scene is constructed to set off the war impression of the chess, and we uses the coordination of stage lighting to create smoke and light of the war.